Eleonora Gaudieri and Erika Meneghini are inviting participations to their workshop from 23.-24. October at SR1 of the Depart of Art History in Vienna!

The beginning of the Settecento was characterised by a considerable expansion of the transalpine art market, driven by a strong interest in collecting Italian artworks. This phenomenon attracted numerous Italian artists, including many painters, to Vienna and its allies, the courts of the German prince-electors of Schönborn, Wittelsbach and others. At the same time, a number of Austrian painters were encouraged to further their training in Italy, where they were profoundly influenced by the local visual language. The high quality and renowned tradition of Italian painting, fostered by a dense network of international connections, enabled numerous artists of Italian origin, as well as Italians by adoption, to pursue successful careers at the Habsburg imperial court in Vienna. This phenomenon must be understood within the broader context of the diplomatic and artistic networks that connected Vienna with key centres on the Italian peninsula, such as Venice, Bologna, Rome and Naples. 

The two-day workshop will provide a wide-ranging exploration of 18th-century Italian painting as a focal point for transfer phenomena between the Italian peninsula and the domains of the Habsburg Empire, with a special focus on Vienna as the imperial capital. The proceedings will open with the keynote speech by Cecilia Mazzetti di Pietralata (University of Cassino and Southern Lazio) titled “Vienna italiana. Forme e attori dello scambio culturale tra Sei e Settecento, tra immigrazione artistica e vocazione internazionale dell'aristocrazia europea”. The subsequent sixteen presentations have been organised into four sections, reflecting the variety of perspectives through which these historical and artistic phenomena can be approached: Collecting Italian Painting in the Habsburg Empire; Artworks and Material Objects as Vehicles of Cultural Transfer; Artists as Transregional Agents Between Italy and the Habsburg Regions; and The Role of Academies and Museums in the Transfer of Knowledge. The objective of this study day is on one hand to examine the meanings and functions of Italian painting within the socio-political and cultural context of the Habsburg imperial court in Vienna and its allied courts; and on the other hand, to explore the various dynamics that fostered the transfer of Italian painting and Italian artistic knowledge to Vienna and the territories of the then Habsburg Empire.

More information here.